RTSM|The Island:王川 & Dalila PASOTTI
The Island | “孤岛”
Reflecting the Sharing Moment | Section Three
2020艺讯网线上展览
2020艺讯网英文版最新线上展览项目“Reflecting the Sharing Moment”(缩写为RTSM)正式开启,第三期“孤岛”已上线!我们邀请了来自世界各地的艺术家,带来他们在2020的思考和创作。第四期将于12月末上线,敬请期待!
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As the third phase of "Reflecting the Sharing Moment", "The Island" has invited 15 artists/groups to create an ongoing discussion on the impact of the pandemic/post-pandemic era on individuals, lives, relationships, and society in different ethnic and cultural backgrounds.
In this section, we would like to introduce artists WANG Chuan and Dalila PASOTTI, as well as their artistic reflections on the year 2020.
WANG Chuan|王川
"These intangible tiny things and the claims about them made the whole world tremble and changed things that we still can't fully understand."
Wang Chuan
Professor of Photography Department
Director for the Department of International Cooperation and Exchanges, CAFA
Director of Future Image Lab, CAFA Visual Art Innovation Institute
Solo Exhibitions
2020 In Parallel: History and the President
2014 Fleeting Time
2013 Colorful
2011 Re-focus: Dragon
2009 The 8 Great Sites of Beijing
Group Exhibitions
2020 Community-2020 Shenzhen China Contemporary Art Invitational Exhibition
2019 180 Years of Photography in China
2018 The Visual Archive and Cultural Construction in Urban and Rural Transition: A Reporting Presentation of Visual Memory of Tongzhou,Date Management and Application Platform Project
2017 The Silk Road and Celestial Clothes
2016 Spanning Time: Revisiting the Aesthetics of the North Song Dynasty Through Contemporary Chinese Photography
2015 Unfamiliar Asia – 2nd Beijing Photo Biennale, The Matic Exhibition
2014 Future Return: Contemporary Art from China
2013 Aura and Post Aura – 1st Beijing Biennale, The Matic Exhibition
Curations
2018 teamLab ★ Future Park
2016 Unbounded, Photo Tai Bei: Marks of The Generation
The World of Fantasy – Thematic Photography Exhibition
2015 Persistently, Photography 2×6
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26th of January, 2020
9:55 a.m., Wangjing
10:39 a.m., Imperial College (Guozijian)
11:16 a.m., Huode Zhenjun Temple
At this time, I was still a little unbelieving and I was determined not to experience the regrets of 2003 again, so during the pandemic, I drove out and cruised around, with the camera in my hand.
The first time I went out, I was frightened by the emptiness. I wandered in familiar streets, countryside, scenic spots, the countryside and the surrounding areas were always empty. Even if there was another person, it was a sort of contrast at best. On the free road, I drove from Wangjing to Mentougou and from Changping to Huairou. The cities and villages were fully exposed to the sun, rain, snow and cold wind. There was a new type of coronavirus that we didn't see or understand. These intangible tiny things and the claims about them made the whole world tremble and changed things that we still can't fully understand.
27th of January, 2020
12:10 p.m., Liuxin Road
12:56 p.m., Xihuo Road
12:36 p.m., Baimaguan
The photos I took certainly cannot be used for reporting photography, because the shooting is all about personal feelings. Whether these photos can become works of art is not so important, as this is not the whole point. Except for the momentary operation of conditioned reflexes any "artistic pursuit" seems a bit redundant. On the contrary, the time and place in the subject that I have carefully checked is particularly important in my opinion. They maintain the fragility in the image with certainty. The world we built by ourselves suddenly becomes unfamiliar due to the absence of ourselves, which undoubtedly triggers a new look and re-examination of many senses, but this thought process takes some time.
The opportunity that nature gives us to reflect and learn is always fleeting. Today, amidst the cheers of the comprehensive restart of social life and the rebound in consumption during the Golden Week, that feeling has become blurred. Everything is still happening, while everything seems to never have happened. However, before we have had time to clarify our thoughts, we have to face this overwhelming world.
Fortunately, we have photos. By looking at them, we have enough time to gaze.
31st of January, 2020
12:51 p.m., The Royal Garden Party
2nd of February, 2020
10:15 a.m., Di'anmen East Street
10:20 a.m., Jingshan Backstreet
14th of February, 2020
12:31 p.m., A Driving School in Haidian District
12:42 p.m., Bei'an River
8th of March, 2020
2:41 p.m., Jingjia Road
18th of March, 2020
12:36 p.m., Caveman Ruins in Zhoukoudian
14th of April, 2020
3:14 p.m., Tanwang Road
Dalila PASOTTI
"The Cosmos is my main reason and motivation in this life."
Born and raised in Turin, Italy, Dalila Pasotti is a sculptor, with a degree in Natural Sciences from the University of Turin. She moved to New York to follow her passion for arts and music. She chose sculpture as her media and perfected her skills at the National Academy School of Fine Arts in New York, along with working with renowned sculptors. She possesses a passion for the unknown and nature, the incomprehensible, uncanny universe, astrophysics and any form of art that amplifies these elements, making it into the core of her work and manifesto. She continues to study physics and astrophysics, attending lectures and being invited by world leading researchers and professors in prestigious research institutions such as CERN in Geneva and at IAS Institute of Advanced Studies in Princeton. She currently lives and works in New York.
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Storm epicenter- Saturn hexagonal North Pole, Work on Paper
The Cosmos is my main reason and motivation in this life. I have a degree in natural sciences and it was back then when I saw the purest and most astonishing art and beauty in the Universe and the laws that govern it. When I started my path in art, right after my graduation, I kept studying astrophysics, physics and astronomy, until they became the core of my life and work. In my vision, science and art are absolutely inseparable. The Universe instills a sense of fulfillment, peace, introspection, mystery and infinity that nothing else can equate to. In particular these drawings are an emotional representation of these feelings, using unusual techniques that often include using my fingers and the power of direct touch, to make things alive and pulsating, going back to the main form of my expression which is sculpture.
Cat's Eye Nebula, Work on Paper
Mars, Work on Paper
Phobos, Work on Paper
Sombrero Galaxy, Work on Paper
Sun Flares, Work on Paper
Image and Text Courtesy of the Artists.
Edited by Sue and Emily/CAFA ART INFO
About the Exhibition
关于展览
The Island
Reflecting the Sharing Moment | Section Three
2020艺讯网线上展览 | 第三回
Launch Date: 2020.11.28
Participating Artists
(in alphabetical order of surnames):
CHEN Xi, comma, DUAN Jianwei, JIANG Zhi, LIU Jin'an, LUO Min, LYU Yue (Aluna), MA Liang, Dalila PASOTTI, QIANG Yong, Hideho TANAKA, Johan WAHLSTROM, WANG Chuan, YE Pei, You Open a Box
Curator: Emily ZHOU
Visual Design: Yizhi ZHANG
Organizer: CAFA ART INFO
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